Today’s prompt was to use a musical / art term you are unfamiliar with as a point of inspiration. I liked this term. It means ornamentation in a musical sense – adding fiddly bits to make something beautiful. We do that in poetry writing too, so it seemed appropriate.
She never knew how to hold herself.
The lights were too bright and the
violet dress, so beautiful on the hanger,
felt scratchy on her skin and
pinched at the waist.
But when she heard the violin
play the ritornello she found she
could breathe again.
The music took its
own shape. She didn’t matter to it
at all – it came through her fully
formed, serpentine as it emerged
into the world. Light hid behind dark,
tin bright notes peeking out from
behind the gloaming double bass.
As she sang colours fell from her. The
first verse was pink like a shell.
It changed into a red,
robust as merlot, as it bled
into the refrain.
By the coda the song was
purple and then deep blue.
The colours found one another
and coiled, forming a
contrapuntal shade she had
never seen before.
She sang.
This was what she was formed for.
The world behind the song, the world
where she didn’t quite fit, faded
and she was alone inside the music.
Real life was waiting. Let it wait.
Perhaps she could do this forever.
I love the way the colour of the music builds to a crescendo. Having recently seen The Magic Flute at the Lowry, it’s very fitting!
LikeLiked by 1 person
Thanks! I had the Magic Flute in mind when I wrote it!
LikeLike